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Read the following passage and answer the questions based on it.

The movement started by Vishnudas Bhave was followed in Maharashtra by historical, mythological and also light farcical stage plays. The farcical plays dealt with social issues in a humorous way.
            Initially no written scripts were used. Often, only the lyrics were written downbut the dialogues used to be spontaneous. V.J. Kirtane was the first author who wrote the script of Thorale Madhavrao Peshwe in 1861 and its printed copy was made available. This was the beginning of the tradition of having a complete written script ready before staging a play.
         In the latter half of the 19th century, Balkrishnbuva Ichalkaranjikar made special efforts to introduce classical khyal music in Maharashtra. After him Ustad Alladiya Khan, Ustad Abdul Karim Khan and Ustad Rahimatkhan contributed in a great way. Their efforts helped in developing a taste for classical music among the audience in Maharashtra. The growing popularity of classical music resulted in the origin of musical Marathi theatre. The musical plays of Kirloskar Mandali became very popular. Sangeet Shakuntal written by Annasaheb Kirloskar earned a great popularity. Another musical play, Sharada, written by Govind Ballal Deval is quite important, as it comments in a humorous style on the evil custom of marrying young girls to aged men. Also plays such as Mooknayak, written by Shripad Krishna Kolahtkar, Sangeet Manapaman, written by Krishnaji Prabhakar Khadilkar and Ekach Pyala written by Ram Ganesh Gadkari are important in the history of Marathi theatre.

1. Who presented the play Seetaswayamvar in theatre?
2. Who is the author of the drama Sangeet Sharada?
3. Explain how drama creates social awakening.

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