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प्रश्न
List the roles and responsibilities Ulysses assigns to his son Telemachus, while he is away.
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उत्तर
The entire poem is a monologue. Yet the second part of the poem is an address to the readers justifying his decision to transfer the rule to his son Telemachus. The cloak of a king seems to be unfit for the temperament of Uly uses. He finds ruling Ithaca a boring thing. He finds Telemachus rooted in the political life of Ithaca. His role is merely to lead a ‘savage race’ to accept standard norms of behavior in society. He believes Telemachus fits well with the role of the ruler of “uninspired and imprudent citizens” and may discharge his duties with honor and grace. When he is away, he wants his son Telemachus to dispense variable justice to the subjects of Ithaca and guide them in the path of virtues and morals.
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संबंधित प्रश्न
Why does the narrator say that the enemy was no threat at all?
Why didn’t the narrator want to tell the tale to anybody?
Bring out the contrasting picture of the castle as depicted in stanzas 3 and 5.
Our gates were strong, our walls were thick,
Underline the alliterated word in the following line.
A little wicked wicket gate.
Read the line given below and answer the question that follow.
“Fear, trembling Hope, and Death, the skeleton,
And Time the shadow”, and though weak the verse
That would thy beauty fain, oh, fain rehearse,
May Love defend thee from oblivion’s curse.
- What does the poet mean by the expression ‘May love defend thee from oblivion’s curse?’
- What does the expression ‘fain’ convey?
- What does the poet convey through the expression ‘Fear, trembling Hope’?
Explain the following line with reference to the context.
It is the tree’s lament, an eerie speech,…
Identify the figure of speech used in each of the extract given below and write down the answer in the space given below.
“The water-lilies spring, like snow enmassed.”
Fill in the blanks using the words given in the box to complete the summary of the poem.
Shakespeare considers the whole world a stage where men and women are only (1) ______. They (2)______the stage when they are born and exit when they die. Every man, during his life time, plays seven roles based on age. In the first act, as an infant, he is wholly (3) ______on the mother or a nurse. Later, emerging as a school child, he slings his bag over his shoulder and creeps most (4)______ to school. His next act is that of a lover, busy (5) ______ballads for his beloved and yearns for her (6) ______. In the fourth stage, he is aggressive and ambitious and seeks (7) ______in all that he does. He (8) ______solemnly to guard his country and becomes a soldier. As he grows older, with (9) ______and wisdom, he becomes a fair judge. During this stage, he is firm and (10) ______. In the sixth act, he is seen with loose pantaloons and spectacles. His manly voice changes into a childish (11) ______. The last scene of all is his second childhood. Slowly, he loses his (12) ______of sight, hearing, smell and taste and exits from the roles of his life.
| attention | treble | reluctantly |
| actors | maturity | reputation |
| serious | faculties | composing |
| enter | promises | dependent |
What is the first stage of a human’s life?
Describe the second stage of life as depicted by Shakespeare.
Read the given line and answer the question that follow.
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.
- Which stage of life is being referred to here by the poet?
- What are the characteristics of this stage?
- How does the boy go to school?
- Which figure of speech has been employed in the second line?
Shakespeare has skilfully brought out the parallels between the life of man and actors on stage. Elaborate this statement with reference to the poem.
Complete the summary of the poem, choosing words from the list given below. Lines 44 to 70
Ulysses beckons his sailors to (1) ______at the port where the ship is ready to sail. His companions who have faced both (2) ______and sunshine with a smile, are united by their undying spirit of adventure. Though death would end everything, Ulysses urges his companions to join him and sail beyond the sunset and seek a newer (3) ______, regardless of consequences. These brave hearts who had once moved (4) ______ and earth, may have grown old and weak physically but their spirit is young and (5) ______. His call is an inspiration for all those who seek true knowledge and strive to lead (6) ______ lives.
| world, thunder, meaningful, gather, undaunted, heaven |
Pick out the lines which convey that his quest for travel is unending.
What could be the possible outcomes of their travel?
Identify the figure of speech employed in the following line.
To follow knowledge like a sinking star.
Read the set of line from the poem and answer the question that follow.
This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle Well-loved of me,
- Who does Ulysses entrust his kingdom to, in his absence?
- Bring out the significance of the ‘sceptre’.
Explain with reference to the context the following line.
He works his work, I mine.
What are the poet’s thoughts on ‘being different’?
Here are a few poetic device used in the poem.
Transferred Epithet- It is a figure of speech in which an epithet grammatically qualifies a noun other than the person or a thing, it is actually meant to describe.
Explain how the poet guides his son who is at the threshold of manhood, to face the challenges of life.
Have you played chess or watched the game carefully?
Now identify the chess pieces and complete the table below. Discuss the role of each piece in the game.
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Where was the narrator when the incident happened?
Why was the rider in a hurry?
Where did the rider plant the French flag after Ratisbon was captured?
What was Napoleon’s reaction on hearing the news of victory?
When did the narrator find that the boy was badly wounded?
How did the young soldier face his end?
Literary Devices
Mark the rhyme scheme of the poem. The rhyme scheme for the first stanza is as follows.
| With neck out-thrust, you fancy how, | a |
| Legs wide, arms locked behind, | b |
| As if to balance the prone brow | a |
| Oppressive with its mind. | b |
