Advertisements
Advertisements
Question
Appearances are deceptive. Discuss with reference to the two boys.
Advertisements
Solution
Looks can be deceiving. Nicola and Jacopo were both 13 and 12 year-old boys. They were not dressed well. The author met them for the first time when they were selling wild strawberries. Since then, they have been seen shining shoes, setting up seats for the opera, showing tourists around town, and other things. No one would have thought that two boys their age would work so hard. They always ate black bread and figs and wore worn-out clothes. With the money they made, they could have bought better food and clothes. Even though they made a lot of money, they never spent any of it on themselves because they had to pay for their sister's hospital bills.
APPEARS IN
RELATED QUESTIONS
Now read the story given below. Your teacher may use a variety of techniques for
different parts of the story e.g.
• Silent reading
• One student reading aloud to the whole class
• Students reading in small groups
• Dramatised reading in small groups
Jacopo asked the narrator to drive them to Poleta Why was Nicola uncomfortable with it?
The author chose to remain silent on their return journey because he thought the boys ______.
What do you understand by the following statement?
He smiled uncomfortably. "Just plans, sir," he answered in a low voice.
Answer the following question briefly.
How were the boys useful to the author?
The narrator asks the boys, “Must you work so hard? You both look rather tired.”
The boys replied, “We are not complaining, sir.” What do you learn about the boys
from their reply?
Answer the following question briefly.
When the narrator asks the boys about their plans, they are evasive. Why don't
they disclose their problems?
Do you think the boys looked after Lucia willingly? Give reasons for your answer.
How does the story 'Two Gentlemen of Verona' promise hope for society?
Two Gentlemen of Verona is written in the first person. A story written in the first person is a first-hand account of events told or narrated through the eyes of a single character, typically the main character. Stories written in the first person are easily identified by the use of the pronoun 'I' rather than 'he or she'.
The reader will see phrases such as "I said, I thought," rather than "he said, she thought." Everything is experienced through the eyes of a single character, and all thoughts and observations are limited to that one person. There can be no outside observer. If the narrator does not see or experience an event first-hand, it cannot be a part of the story. All scenes in the story are filtered through this person's unique perception.
The third-person is a narrative mode in which both the reader and author observe the situation either through the senses and thoughts of more than one character, or through an overarching godlike perspective that sees and knows everything that happens and everything the characters are thinking. In this mode of narration, the narrator can tell the reader things that the main character does not know, or things that none of the characters know.
Rewrite, in third person, any part of story you like.
As the narrator, write an article on the lesson of love, faith and trust that you have
learnt from the two young boys of Verona.
After her brothers' visit, Lucia writes a page in her diary about her past life and
her present situation. As Lucia, write the diary entry in about 150 words.
Answer the following question:
What will Shakespeare's friend realize when he rises on the Day of Judgment?
Read the given excerpt and answer the questions briefly.
| “Well," I said, "we're leaving on Monday. Is there anything I can do for you before we go?" Nicola shook his head, but suddenly Jacopo said, “Sir," he burst out, "every Sunday we make a visit to the country, to Poleta, 30 kilometres from here. Usually we hire bicycles. But tomorrow, since you are so kind, you might send us in your car." I had already told Luigi he might have the Sunday off. However, I answered, “I'll drive you out myself." There was a pause. Nicola was glaring at his young brother in vexation. "We could not think of troubling you, sir." "It won't be any trouble." |
- Identify the phrase that indicates that the visit to Poleta on Sundays is significant as a routine or tradition. (1)
- What does the narrator's offer to drive the brothers to Poleta reveal about his character? (1)
- Why was there a pause after the narrator’s offer? (1)
- State one reason why Jacopo might have wanted a car ride despite the choice of hired bicycles? (1)
