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Question
As the narrator, write an article on the lesson of love, faith and trust that you have
learnt from the two young boys of Verona.
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Solution
The story of Nicola and Jacopo teaches us a moralistic lesson of love, faith and trust. These qualities are imparted to human beings by God, the Almighty. We can call them Godly qualities without which our coexistence with others will become impossible. We should not be selfish and inconsiderate towards others. W<j should not hurt the feelings of others. We should have faith in others. Suppose, if I don’t care for my parents, brothers, sisters, friends and neighbours, then who will care for me and the process will go on and one day this world will become a jungle where only wild animals live who just pounce upon others and tear them apart to satisfy their hunger. We should love others, care for others and must have mutual understanding and trust. We are the best creation of God. We are different from animals. Only the human qualities of love, faith and trust distinguish us from wild beasts.
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RELATED QUESTIONS
Based on your discussion above, what do you think the story is about?
Now read the story given below. Your teacher may use a variety of techniques for
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• Silent reading
• One student reading aloud to the whole class
• Students reading in small groups
• Dramatised reading in small groups
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He smiled uncomfortably. "Just plans, sir," he answered in a low voice.
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Answer the following question briefly.
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Two Gentlemen of Verona is written in the first person. A story written in the first person is a first-hand account of events told or narrated through the eyes of a single character, typically the main character. Stories written in the first person are easily identified by the use of the pronoun 'I' rather than 'he or she'.
The reader will see phrases such as "I said, I thought," rather than "he said, she thought." Everything is experienced through the eyes of a single character, and all thoughts and observations are limited to that one person. There can be no outside observer. If the narrator does not see or experience an event first-hand, it cannot be a part of the story. All scenes in the story are filtered through this person's unique perception.
The third-person is a narrative mode in which both the reader and author observe the situation either through the senses and thoughts of more than one character, or through an overarching godlike perspective that sees and knows everything that happens and everything the characters are thinking. In this mode of narration, the narrator can tell the reader things that the main character does not know, or things that none of the characters know.
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