Advertisements
Advertisements
Question
Answer the following question:
Why was it necessary to keep Harold’s father’s profession a secret from him?
Advertisements
Solution
Harold was very different from ordinary children. Harold’s parents wanted to keep Mr. Bramble’s profession a well guarded secret from him. Harold was made to believe the fiction that his father was a commercial traveller. They didn’t want Harold to die of ‘disgrace’ by knowing the truth that his father was a man of ‘wrath’ and a bloody boxer.
APPEARS IN
RELATED QUESTIONS
Now that you have enjoyed reading the story, answer the following question by choosing the correct option.
The grandmother could relate to the central character of the story 'Kashi Yatre' as __________.
Answer the following question briefly:
Did Private Quelch’s day to day practices take him closer towards his goal? How can you make out?
Answer the following question briefly:
How did Private Quelch manage to anger the Corporal?
Answer the following question:
What was strange about the manner in which Mrs. Bramble addressed her son? What did he feel about it?
Answer the following question briefly.
Which road does the speaker choose? Why?
Roads are fascinating as metaphors for life, change, journeys, partings,
adventure, etc. or simply as roads. This is probably why they, and all their
attendant images, have permeated art, literature and songs. In the poem, Frost
uses the fork in the road as a metaphor for the choices we make in life. Thus the
roads are, in fact, two alternative ways of life. What other nouns, according to
you could be used to represent life?
River
________________
________________
________________
________________
________________
On the basis of your understanding of the poem, answer the following question
by ticking the correct choice.
The seven roles that a man plays correspond to his __
Answer the following question briefly.
Why is Gaston not interested in buying the villa in the beginning?
You have read an account of the final stages or Amelia's life. It had been a saga of struggle and courage. Read about her early life - the factors that inspired her to become an aviator and the difficulties she raced. Make a project on her life. Here is a list or the reference books and websites which will guide you in your endeavour. It can also be in the form or a CD.
REFERENCE ON AMELIA EARHART
o The Sound of Wings by Mary S. Lovell, 1989, Century-Hutchinson Ltd., ISBN 0-09-1 73596-3
o Last Flight by Amelia Earhart (arranged by George Palmer Putnam from correspondence), 1988, Crown Publishers, ISBN 0-51 7-56794-6
o The Epic of Flight: Women Aloft by Valerie Moolman, Time/ Life Books, ISBN 0-8094-3289-7
o Biography: Amelia Earhart by Blythe Randolph, 1987, Frankin Watts Publisher, ISBN 0-531-100331-5
WEBSITES
1) `"www.ellensplace.net/eaeintr.html"`
2) en.wikipedia.org/wiki/Amelia_Earhart
3) `"www.acepilots.com/earhart.html"`
Below are some incomplete sentences about the story. Complete each sentence appropriately, according to the story.
1. Slava Kurilov was in the water because he ...
Evidence for this is ...
2. His biggestmistakewaswhenhe ...
3. He decided to die because ...
4. He was carried towards the lagoon when he decided to ...
As a Conservationist, write a report to the World Wildlife Federation, based on 5. Remember 'CODER'
| From: (your name), Conservationist. To: The Chairman WWF (Date) (Suitable Heading) (Suitable introduction) e.g. You recently asked me to submit a report on my study of YAK - in particular, their future. The following are my findings and recommendations. 1. The current problem. 2. Reasons why this problem has arisen. 3. Effects of the problem 4. Recommendation 5. Conclusion (Suitable ending, including other ideas for increasing YAK population) Your name (Conservationist) |
Look at the pairs below. Draw a sketch to show the difference in meaning, as in the example:

- (a) cloth
(b) a cloth - (a) rubber
(b) a rubber - (a) lamb
(b) a lamb - (a) glass
(b) a glass
Future Perfect and Future Continuous
Look at the following sentences.

Match words from the different columns to make reasonable predictions. Then write them down in the space below. One has been done as an example.

Do you see any difference in the following sentences?
(a) You can use a ruler to dig holes.
(b) You can use my ruler to dig holes.
(c) You can find a ruler in the study room.
Can is used to express permission, ability, and possibility in these sentences.
In sentence (a) can is used to express ________.
In sentence (b) can is used to express ________ and,
in sentence (c) can is used to express ________.
Can, could, may, might, will, would, must, ought to, shall, should are called Modal verbs.
: Duties and Privileges
. In some schools the student - council members are assigned duties at the
beginning of every academic year.
Write a job description to be given to the newly elected Environment
Monitor of your school.
You may do this individually. Later your class as a whole can come out with one
duty list to be displayed on the soft-board. You may use the words given in the
box below.
can, may, can’t, mustn’t, must, should, have to.
What would you do if you became invisible? Would you use your invisibility to play tricks on people or for the good of people?
Write a short paragraph on 'If I was invisible'.
WRITING A MYSTERY STORY
Mysteries can be divided into several categories. There are puzzling stories, detective I crime stories, and suspense stories. They all give the reader a chance to become involved in the solution of the story through clues and character descriptions.
Characters
Before you start to write, think about the characters you might put in your story.
• What will each character do?
• Why is he or she important to the story?
• In what ways are your characters alike?
• How are they different?
• What can your characters learn from each other?
• One last thing to remember: your characters don't always have to be human. If an animal plays a part in the story, that animal is a character, too
Setting
A story has to happen in a place.
• The setting might be a place you are familiar with.
• It might even be another planet!
• A setting doesn't even have to be a real place.
Details
• Use your Imagination.
• Details help readers understand how something looks, how it feels, how it sounds - even how something smells or tastes!
Plot
• Your characters have to DO something!
• What they do is the Plot of your story.
• To make the plot exciting add Situations.
Ending
• The Ending of a story is the solution to the conflict.
• Solve the problem, dilemma or conflict faced by the main character.
• Show that your main character has changed or grown in some way.
• Tie up all the loose ends. Readers shouldn't have to choose between several hinted endings.
Review of passives
Look back on the exercises in this Unit. Discuss why the passive is used in each of these different circumstances.
Can you think of any other times when it is best to use the passive?
1 Read the conversation between a young boy and his mother. The boy is determined to go to camp, despite his mother's refusal to let him (from George Layfon's short story "The Holiday").
It wasn't fair. Tony and Barry were going. In fact, nearly all of them in Class
Three and Four were going, except me. It wasn't fair. Why wouldn't my mum let
me go?
(a) "I'vetoldyou. Youarenotgoingcamping. You're far too young."
Huh! She said thatlastyear.
"You said that last year."
"You can go next year when you're a bit older."
She said that last year, too.
"You said that last year and all."
"Do you want a clout?"
"Well you did, Mum, didn't you?"
(b) "Go and wash your hands for tea."
(c) "Aw, Mum, everybody else is going to school camp. Why can't I?"
(d) "Because you're going to Bridlington with me and your aunt Doreen, like you do
every year!"
Ohl Every year my mum, me and Aunt Doreen stay at Mrs. Sharkey's boarding
house. I suppose we'll have that same room again.
"Don't be cheeky! Mrs. Sharkey saves the room for me every year. It's the best
room in the house facing the sea."
"Aw, Mum, I never get any sleep - the sea splashing on one side."
My mum gave me a clout right across my head.
"Well, you've done it now. You've dislocated my jaw- owl"
She clouted me again, right in the same place.
"It's not fair. Tony's mum and dad are letting him go to school camp, and
Barry's going too. Why don'tyou let me go?"
She suddenly bent down and put her face right next to mine, right close. She
made me jump.
(e) "Now listen to me, my lad. What Tony's mum and dad do, and what Barry's
mum and dad do, is their look out. You will come with me and your Auntie
Doreen to Bridlington and enjoy yourself, like you do every year!"
1.1 Suppose Tony overheard this conversation, and wrote a letter to Barry.
Write and complete Tony's letter for him.
Dear Barry,
It's just two weeks more for our school camp! I can't wait to have a great time with
our class mates. I was hoping you, George and I get to share a tent together! But I
was at George's place and got to hear what his mother felt about our trip.
To start with his mother said he wasn't going camping. adding that he was far
too young for it. George reminded his Mum that she had said that the previous
year.
She felt that (a)____________________________________________________________________ older. He protested that she had said the previous year, too. To this, she simply ordered (b)_______________________________________________________________________ for tea. He wanted to know why (c) _________________________________________________________ when every body else, was going. She reasoned with him saying (d)_______________ George objected to being disturbed by the splashing sea, waves. But, his mother clouted him twice and in a threatening manner, told him (e)______________________ _________________ so, that's it. Probably, George won't be with us
Affectionately
Tony.
Read the following dialogue
Raghu : I think one of my snakes has escaped.
Sheela : Isn’t it dangerous? You really must stop collecting snakes, Raghu.
Raghu : But I like snakes – they are unusual pets.
Sheela : But I think it’s a dangerous thing to keep such pets.
Raghu : No, they’re not dangerous; they are really… .er… .quite friendly.
Sheela : Huh, snakes require a great deal of careful handling and are still a risk.
Raghu : i don’t mind. What matters is that I like them.
Sheela : Well, quite frankly, I hate them. They are awfully frightening to look at.
Raghu : Look, I am very careful and I handle them very gently. In fact, I don’t have many.
Sheela : Have you ever been bitten?
Raghu : Well, it’s true I’ve been bitten once or twice, but…
You are a friend who has overheard this conversation between Raghu and Sheela. Write to your sister reporting it. Give the conversation an interesting, unexpected or humorous ending. (The first part has been done for you.)
Janpath
5 January 2016
Dear Varsha
As you’re very interested in Raghu and his snakes, I thought I’d tell you about a conversation I heard between him and Sheela.
He told her he thought one of his snakes had escaped and, as usual, she told him to stop collecting them because they were dangerous. (Typical of Sheela, don’t you think?)
Pronouns
Direct speech indirect speech
| masculine | feminine | plural | |
| i | he | she | they |
| you | he | she | they |
| you | him | her | them |
| your | his | her | their |
| me | him | her | them |
| my | his | her | their |
| myself | himself | herself | themselves |
| we | they | ||
| use | them, their |
WORDS DENOTING TIME AND POSITION
When the reporting verb is in the past tense, certain words denoting nearness of
time and place are changed into words denoting distance.
It is treated necessary to change the words denoting nearness to words denoting
distance because, when we report the words of a person to somebody, the place
and time of the reporting is changed.
So the reported speech must be in line with the modified time and place.
| DIRECT SPEECH | INDIRECT SPEECH |
| this | that |
| these | those |
| now | then |
| ago | before |
| last night |
the previous night the night before |
| next day |
the following day the day after |
| today | the day |
| tonight | that night |
| yesterday |
the previous day the day before |
| tomorrow |
the next day the following day the day after |
| day before yesterday | the day before the previous day or two days before |
| day after tomorrow | the day after the next day ot in two days |
| week | the following week |
| now | then |
| here | there |
