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Thinking About Poemthe Poet Says “No” in the Beginning of the Third Stanza. What Does He Mean by This? - English (Moments)

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प्रश्न

Thinking about Poem

The poet says “No” in the beginning of the third stanza. What does he mean by this?

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उत्तर

In the beginning of the third stanza, the poet has said “No” to lay emphasis on the fact that mere chopping of the tree would not kill it. The tree would grow again and retain its original size.

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  या प्रश्नात किंवा उत्तरात काही त्रुटी आहे का?
पाठ 8.2: On Killing a Tree (poem) - Thinking about the Poem [पृष्ठ १११]

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एनसीईआरटी English - Beehive Class 9
पाठ 8.2 On Killing a Tree (poem)
Thinking about the Poem | Q 1.4 | पृष्ठ १११

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(i) the atmosphere of ‘febrile confusion’ outside the temple of Pashupatinath (for
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(ii) the things he sees
(iii) the sounds he hears


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  • The child she/he stole from
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  • The witnesses
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    Should the child be punished? Or should she/he be counselled?
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    The Bishop : An ordained or appointed member of clergy.
    Persome : The sister of the Bishop.
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The blocks were all lined up for those who would use them
The hundred-yard dash and the race to be run
These were nine resolved athletes in  back of the starting line
Poised for the sound of the gun.
The signal was given, the pistol exploded
And so did the runners all charging ahead
But the smallest among them,he stumbled and staggered
And fell to the asphalt instead.
He gave out a cry in frustration and anguish
His dreams ands his efforts all dashed in the dirt
But as sure I'm standing here telling this story
The same goes for what next occurred.

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Explain with reference to context.


The horse was nearly life-size, moulded out of clay, baked, burnt, and brightly coloured, and reared its head proudly, prancing its forelegs in the air and flourishing its tail in a loop; beside the horse stood a warrior with scythelike mustachios, bulging eyes, and aquiline nose. The old image-makers believed in indicating a man of strength by bulging out his eyes and sharpening his moustache tips, and also decorated the man’s chest with beads which looked today like blobs of mud through the ravages of sun and wind and rain (when it came), but Muni would insist that he had known the beads to sparkle like the nine gems at one time in his life.

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Had anyone seen the splendour of the horse?


Sibia sprang.
From boulder to boulder she came leaping like a rock goat. Sometimes it had seemed difficult to cross these stones, especially the big gap in the middle where the river coursed through like a bulge of glass. But now she came on wings, choosing her footing in midair without even thinking about it, and in one moment she was beside the shrieking woman. In the boiling bloody water, the face of the crocodile, fastened round her leg, was tugging to and fro, and smiling. His eyes rolled on to Sibia. One slap of the tail could kill her. He struck. Up shot the water, twenty feet, and fell like a silver chain. Again! The rock jumped under the blow. But in the daily heroism of the jungle, as common as a thorn tree, Sibia did not hesitate. She aimed at the reptile’s eyes. With all the force of her little body, she drove the hayfork at the eyes, and one prong went in—right in— while its pair scratched past on the horny cheek. The crocodile reared up in convulsion, till half his lizard body was out of the river, the tail and nose nearly meeting over his stony back. Then he crashed back, exploding the water, and in an uproar of bloody foam he disappeared. He would die. Not yet, but presently, though his death would not be known for days; not till his stomach, blown with gas, floated him. Then perhaps he would be found upside down among the logs at the timber boom, with pus in his eye. Sibia got arms round the fainting woman, and somehow dragged her from the water.

Read the extract given below and answer the question that follow.

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Read the following passage carefully and answer the questions that follow:

Every Monday, on his way back from work, Bipin Chowdhury would drop in at New Market to buy books. He had to buy at least five at a time to last him through the week. He lived alone, was not a good mixer, had few friends, and didn't like spending time in idle chat. Those who called in· the evening got through their business quickly and left. Those who didn't show signs of leaving would be told around eight o'clock by Bipin Babu that he was under doctor's orders to have dinner at eight-thirty. After dinner, he would rest for half an hour and then tum in with a book. This was a routine that had persisted unbroken for years
Today, Bipin Babu had the feeling that someone was observing him from close quarters. He turned around and found himself looking at a round-faced, meek-looking man who now broke into a smile.
"I don't suppose you recognize me." Bipin Babu felt ill at ease. It didn't seem that he had ever encountered this man before. The face seemed quite unfamiliar. 
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"Very strange. One evening I had tea with you on the verandah of your bungalow. 
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(a) Give the meaning of the following words as used in the passage.
One word answers or short phrases will be accepted. 
(i) persisted (line 7)
(ii) decade (line 38)
(iii) intruder (line 43) 

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(v)What does Bipin Babu regret?
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But a caged bird stands on the grave of dreams
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his wings are clipped and his feet are tied
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  2. Give a brief description of the caged bird's physical and mental condition. [3]
  3. Explain the phrase, 'grave of dreams' in your own words.
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  4. The 'free bird' and the 'caged bird' in the poem represent different groups of people. Name them.
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    Mention two ways in which the world of the caged bird differs from that of the free bird. [4]

With close reference to Act V, describe how Prospero has used the spirits of "hills, brooks, groves" to give shape to his magical acts. What does he finally decide to do with his magical powers?


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