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प्रश्न
Magic is used to manipulate, intimidate and amaze the various characters in the play. Give your views on this statement by referring to any two examples from the Acts studied.
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उत्तर
Shakespeare's "The Tempest" explores the multifaceted role of magic in manipulating, intimidating, and captivating characters. This theme is evident in the experiences of Ariel and Alonso, showcasing the complexity of magical dynamics in the play.
Ariel, the ethereal servant of Prospero, serves as a prime example of a character both manipulated and entranced by magic. In Act 3, Ariel is given the task of utilizing his magical powers to guide Ferdinand to Prospero's cave for a test of his worthiness to marry Miranda. Prospero's promise to free Ariel from servitude upon successful completion of the task reveals the power dynamics inherent in their relationship. This manipulation through the prospect of freedom highlights how magic can be wielded to control and influence even magical beings like Ariel. Simultaneously, Ariel experiences a sense of amazement and wonder when tasked with creating a magical masque in Act 4 to celebrate Ferdinand and Miranda's impending union. This illustrates the transformative and captivating qualities of magic, even for those who possess supernatural abilities.
Alonso, the King of Naples, becomes a target of manipulation and intimidation through magical means. In Act 4, he is haunted by the apparition of his believed-to-be-dead son, a manifestation orchestrated by Prospero to evoke guilt for past misdeeds. Alonso undergoes a profound sense of intimidation and fear, driven by the illusion created through magic. His guilt becomes a powerful force, leading him to seek forgiveness for his previous actions.
The play, as a whole, uses magic as a lens to explore intricate power dynamics among characters. It exemplifies the dual nature of magic, capable of both manipulating and inspiring awe. Ariel and Alonso's experiences showcase how magic can be harnessed to control, intimidate, and amaze characters, adding depth and complexity to the thematic exploration in "The Tempest."
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संबंधित प्रश्न
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His blessing on the neighbourhood,
Who in the hollow of his hand
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Stirs in his heart who plants a tree.
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'All right!' you 'll cry.'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children?Please explain!'
We'll answer this by asking you,
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'How used they keep themselves contented
Before this monster was invented?'
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AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
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Why did the girl make haste to light the whole bundle of matches?
Then, trying to hide my nervousness, I added, “How are you?”
“I’m fine. The question is: How are you?“
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“Believe me, I know it,” I told him—and it felt good to say that to someone.
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Did Owens tell Long what was eating him? If not, why?
Read the extract given below and answer the questions that follow:
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(ii) Who is Nerissa? What does she say to cheer up Portia?
(iii) Why does Portia disapprove of the County Palatine? Who would she rather marry?
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Complete the following sentence by adding the appropriate part of the sentence given below.
The king requested the hermit___________________.
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Why was Ravi upset with the elders?
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Discuss these questions in small groups before you answer them.
When do you think an adult would say this?
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The words given against the sentences below can be used both as nouns and verbs. Use them appropriately to fill in the blanks.
(i) You deserve a ________________________ on the back for your good performance. (pat)
(ii) The teacher _________________________ the child on the cheek to encourage her.
Here the child wants to become _______.
Identify the ‘he’ in the first line.
Read the passage given below and answer the questions (i), (ii) and (iii) that follow:
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(1) |
Something happens to cats after we have enjoyed a delicious meal. Call it a feline sugar hit or a rush of good feelings. Abandoning our usually sedentary nature, we transform into crazy beasts who thunder down corridors, spring from one piece of furniture to another, or pounce from behind half-closed doors to attack the shoelaces of unsuspecting passersby. It is as though we are temporarily possessed. |
5 |
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(2) |
That, at least, is my excuse, dear reader - and the only explanation I can offer for my entirely unplanned global TV debut. |
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(3) |
To be fair, I had no way of knowing that my master was receiving visitors that particular afternoon. Nor that he was being interviewed live, let alone by one of America’s most famous journalists. |
10 |
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(4) |
All I knew was that, a few minutes after gorging myself on a favourite treat of creamy pudding, I felt that sudden, primal explosion of energy. I made my way back to the suite of rooms that I shared with my master and felt an overpowering compulsion to do something completely mad. I wanted to run like a furious jungle cat, at that particular moment. |
15 |
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(5) |
Bursting through the door of the room in which my master received visitors, I tore up the carpet as I raced towards the sofa opposite where he was sitting. I ripped its fabric as I scrambled up its side like a savage creature clawing its way up a perilous cliff. Then with a final, frenzied burst, I launched myself off one arm of the sofa, leaping towards the other. |
20 |
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(6) |
It was only at this point that I realised the sofa was occupied by the journalist. She was halfway through a sentence, and my abrupt appearance caught my master's guest completely by surprise. |
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(7) |
You know, when something truly unexpected happens, time can seem to slow down. Well, that’s how it was. As I flew past the woman's face, her expression turned from one of calm engagement to that of total surprise. |
25 |
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(8) |
I As she pushed back in her seat to avoid me, the shock on her face could not have been more evident. |
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(9) |
But, dear reader, she was not more shaken than me. I had not been expecting anyone on the sofa, let alone a TV celebrity, nor one who was mid-interview. As I headed towards the opposite end of the sofa, for the first time I observed the lighting, the cameras and the crew watching the action from the shadows. By the time I landed on the other arm of the sofa, all the energy that had propelled me was gone. |
30
35 |
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(10) |
I was, no longer, a furious jungle cat. |
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(11) |
The journalist looked at me. I looked at her. Both of us were taking in what had just happened. I was also conscious of the cameras still rolling as well as many pairs of eyes watching me at that moment. My moment of global glory. |
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Adapted from: The Dalai Lama's Cat Omnibus |
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(i)
- Given below are three words and phrases. Find the words which have a similar meaning in the passage: [3]
- inactive
- eating in a greedy manner
- dangerous
- For each of the words given below, write a sentence of at least ten words using the same word unchanged in form, but with a different meaning from that which it carries in the passage: [3]
- thunder (line 3)
- spring (line 3)
- past (line 26)
(ii) Answer the following questions in your own words as briefly as possible:
- What is the usual nature of the narrator's kind? How is it differently presented in the passage? [2]
- What did the 'favourite treat of creamy pudding' do to the narrator? [2]
- Describe the actions of the narrator after bursting into the visitors' room. [2]
- How did the journalist react when the narrator 'flew past' her face? [2]
(iii) Summarise how the narrator became a global celebrity (paragraphs 4 to 11). You are required to write the summary in the form of a connected passage in about 100 words. Failure to keep within the word limit will be penalised. [6]
In the short story, Quality, what causes the death of the younger Gessler brother?
