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Question
‘A Cup of Tea’ by Katherine Mansfield
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Solution
Katherine Mansfield’s ‘A Cup of Tea’ is a sharp satire that looks at the upper class in London in the early 1900s and their vanity, insecurity, and acts of altruism for show. Rosemary Fell is the main character of the story. She is a rich, stylish, and self-centred young woman who is proud of her good taste and intellectual interests. While she is shopping in a fancy antique store on a rainy afternoon, a poor girl named Miss Smith approaches her and asks how much a cup of tea costs. Rosemary sees this as a chance to be the good heroine in a real-life story, so she invites the girl home without thinking twice. She wants to save her and maybe make her into a pet project she can brag about to her friends.
Rosemary treats Miss Smith to tea and other nice things when she gets back to her fancy home. She enjoys the contrast between her own comfort and the girl’s miserable state. When she helps the girl, she feels good about herself and sees her as a living accessory that makes her look better. Things change quickly when her husband, Philip, walks into the room, though. Philip is initially annoyed by the intruder because he doesn’t like the girl and doesn’t realise Rosemary wants to help. He takes Rosemary aside and, using her insecurity to his advantage, says something about how ‘pretty’ the girl is. His comment immediately turns Rosemary’s pride into intense jealousy and suspicion. She no longer sees a person in need but rather a potential romantic rival who puts her position at risk.
Because of this sudden change in her ego, Rosemary quickly gives up on her act of charity. She goes back to the room, gives Miss Smith a small amount of money, and then rudely kicks her out of the house. At the very end of the story, Rosemary returns to the living room, looks at herself in the mirror, and asks her husband if he likes her new hat. This is a shockingly shallow act of vanity. Mansfield's story is a masterful exposé of Rosemary’s hollow ‘goodness,’ showing that her kindness was never rooted in real empathy but rather a shallow attempt at self-satisfaction that fell apart when her vanity was questioned.
