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प्रश्न
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink....
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK - HE ONLY SEES!
Read the lines given above and answer the question given below.
Explain with reference to context.
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उत्तर
These lines are taken from the poem TELEVISION, written by Roald Dahl, a British novelist, short story writer and a poet. It is taken from his collection ‘Revolting Rhymes’. It is a stinging satire on Television. In this poem Roald Dahl expresses concern over what the modem invention the television set has done to children. Fie points out that watching TV has become a craze in modem time. Children of today spend hours together in front of the ‘idiot box’. Roald Dahl is addressing all British parents and telling them that the most important thing one must learn while raising children is to keep them away from the television set. He also says that it is possible to come to a better solution to the problem by not installing a television set in their homes in the’ first place.
Dahl admits that he knows that television can be a convenient way to keep children occupied. While watching television, children never cause trouble or throw tantrums. As a result, their parents can go about doing their household chores without any interruption.
However, parents do not stop to consider what television might do to their children.
Lines 25-33 are written in capitals to emphasize that they carry the main message of the poem. This message is that watching too much television fills up.the minds of children with useless facts while at the same time destroying their ability to create or understand worlds of fantasy in their imagination. It takes away their ability to think and they can only keep staring at the television screen.
APPEARS IN
संबंधित प्रश्न
Thinking about Language
Here are some sentences from the text. Say which of them tell you, that the author:
(a) was afraid of the snake, (b) was proud of his appearance, (c) had a sense of humour,
(d) was no longer afraid of the snake.
1. I was turned to stone.
2. I was no mere image cut in granite.
3. The arm was beginning to be drained of strength.
4. I tried in my imagination to write in bright letters outside my little heart the words, ‘O
God’.
5. I didn’t tremble. I didn’t cry out.
6. I looked into the mirror and smiled. It was an attractive smile.
7. I was suddenly a man of flesh and blood.
8. I was after all a bachelor, and a doctor too on top of it!
9. The fellow had such a sense of cleanliness…! The rascal could have taken it and used it
after washing it with soap and water.
10. Was it trying to make an important decision about growing a moustache or using eye
shadow and mascara or wearing a vermilion spot on its forehead?
“I love the West,” said the girl irrelevantly. Her eyes were shining softly. She looked away out the car window. She began to speak truly and simply without the gloss of style and manner: “Mamma and I spent the summer in Deliver. She went home a week ago
because father was slightly ill. I could live and be happy in the West. I think the air here agrees with me. Money isn’t everything. But people always misunderstand things and remain stupid—” “Say, Mr. Marshal,” growled the glum-faced man. “This isn’t quite fair. I’m needing a drink, and haven’t had a smoke all day. Haven’t you talked long enough? Take me in the smoker now, won’t you? I’m half dead for a pipe.”
The bound travellers rose to their feet, Easton with the Same slow smile on his face. “I can’t deny a petition for tobacco,” he said, lightly. “It’s the one friend of the unfortunate. Good-bye, Miss Fairchild. Duty calls, you know.” He held out his hand for a farewell. “It’s too bad you are not going East,” she said, reclothing herself with manner and style. “But you must go on to Leavenworth, I suppose?” “Yes,” said Easton, “I must go on to Leavenworth.”
The two men sidled down the aisle into the smoker. The two passengers in a seat near by had heard most of the conversation. Said one of them: “That marshal’s a good sort of chap. Some of these Western fellows are all right.” “Pretty young to hold an office like that, isn’t he?” asked the other. “Young!” exclaimed the first speaker, “why—Oh! didn’t you catch on? Say—did you ever know an officer to handcuff a prisoner to his right hand?”
Read the extract given below and answer the question that follow.
Why is it ironic when Fairchild says, “people always misunderstand things and remain stupid —”?
But even as he approached the boy, Mr. Oliver sensed that something was wrong. The boy appeared to be crying. His head hung down, he held his face in his hands, and his body shook convulsively. It was a strange, soundless weeping, and Mr. Oliver felt distinctly uneasy.
Well, what’s the matter, he asked, his anger giving way to concern. What are you crying for? The boy would not answer or look up. His body continued to be wracked with silent sobbing.
Oh, come on, boy. You shouldn’t be out here at this hour. Tell me the trouble. Look up.
Read the extract given below and answer the question that follow.
Why did Mr Oliver’s anger change to concern?
Who was the General Manager of the Taj Hotel ' What role did he play?
The story of an ant’s life sounds almost untrue.
The underlined phrase means
Where and by which community cricket was initially played in India?
What was the connection between the motor and the fan’s Chatter?
Find pictures of the kinds of birds, insects and scenes mentioned in the poem.
Discuss the question in pairs before you write the answer.
Who did he first choose as his master? Why did he leave that master?
“You should be able to qualify with your eyes closed.” Who said these words and to whom?
