मराठी

Read the extract given below and answer the questions that follow: Portia: ... Lorenzo, I commit into your hands The husbandry and manage of my houseUntil my lord's return: for mine own part,I have

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प्रश्न

Read the extract given below and answer the questions that follow:

Portia: ... Lorenzo, I commit into your hands
The husbandry and manage of my house
Until my lord's return: for mine own part,
I have toward heaven breathed a secret vow
To live in prayer and contemplation,
Only attended by Nerissa here,
Until her husband and my lord's return.
  1. Who does Portia refer to as 'my lord'?
    Where is her lord?
    Why had he left in such haste? [3]
  2. What does Portia ask Lorenzo to do? Why does she make this request? [3]
  3. Explain, in your own words, the ‘secret vow’ that Portia speaks of. [3]
  4. What instruction does Portia give to her servant, a little later in the scene? [3]
  5. What do we learn about Portia’s real intention from her conversation with Nerissa?
    Which Portia do you prefer- the modest Portia of the Casket scene or the businesslike Portia we meet in this scene?
    Give one reason for your response. [4]
थोडक्यात उत्तर
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उत्तर

  1. Portia addresses her husband, Bassanio, as "my lord". Bassanio had moved to Venice from Belmont. Due to his friend Antonio's pending trial and his impending death from his debt to Shylock, he had departed quickly.
  2. When she and her husband Bassanio are not present, Portia gives Lorenzo control and supervision of her estate. Portia plans to leave for Venice to save Antonio from Shylock's evil plan of taking a pound of Antonio's flesh, which was forfeited when he failed to repay the three thousand ducats before the due date (three months from the date of borrowing), according to the bond.
  3. Portia mentions a secret vow she made to heaven, a vow to live a life of prayer and reflection until Gratiano and Bassanio return. Now that Portia is married and her husband has hurried to help his friend, she submits to help her husband in any way possible. The "secret vow" that Portia mentions is her secret plan for fighting the case, disguised as an eminent lawyer, on behalf of Antonio, her husband's dearest friend.
  4. Portia expresses that she intends to spend her time in contemplation and prayer at the nearby monastery alongside Nerissa until their husbands safely return. She directs the servants to acknowledge Lorenzo and Jessica as their master and mistress in the absence of Lord Bassanio and herself. Additionally, she instructs her servant, Balthazar, to visit her cousin, Doctor Bellario, in Padua to collect specific documents and clothing. From there, she guides Balthazar to take the ferry to Venice and join her at the earliest, as she anticipates arriving in Venice before him.
  5. Portia later confides in Nerissa, revealing her true plan. She discloses that they intend to meet their husbands in disguise, assuming the roles of a lawyer and his clerk. Portia elaborates to Nerissa on the specific mannerisms they must adopt to convincingly portray a male image while dressed in male attire. I admire the pragmatic side of Portia, as she maintains control over her circumstances, possesses a clear understanding of her objectives, envisions the future, and remains resolute in seeking justice for Antonio.

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2022-2023 (March) Official

संबंधित प्रश्‍न

What is the significance of the title?


We will ponder your proposition and when we decide we will let you know. But should we accept it, I here and now make this condition that we will not be denied the privilege without molestation of visiting at any time the tombs of our ancestors, friends, and children. Every part of this soil is sacred in the estimation of my people. Every hillside, every valley, every plain and grove, has been hallowed by some sad or happy event in days long vanished. Even the rocks, which seem to be dumb and dead as the swelter in the sun along the silent shore, thrill with memories of stirring events connected with the lives of my people, and the very dust upon which you now stand responds more lovingly to their footsteps than yours, because it is rich with the blood of our ancestors, and our bare feet are conscious of the sympathetic touch. Our departed braves, fond mothers, glad, happy hearted maidens, and even the little children who lived here and rejoiced here for a brief season, will love these somber solitudes and at eventide they greet shadowy returning spirits. And when the last Red Man shall have perished, and the memory of my tribe shall have become a myth among the White Men, these shores will swarm with the invisible dead of my tribe^ and when your children’s children think themselves alone in the field, the store, the shop, upon the highway, or in the silence of the pathless woods, they will not be alone. In all the earth there is no place dedicated to solitude. At night when the streets of your cities and villages are silent and you think them deserted, they will throng with the returning hosts’that once filled them and still lover this beautiful land. The White Man will never be alone.
Let him be just and deal kindly with my people, for the dead are not powerless. Dead, did I say? There is no death, only a change of worlds.

Read the extract given below and answer the question that follow.

What is the condition laid by the speaker before he accepts the white man’s proposition?


But even as he approached the boy, Mr. Oliver sensed that something was wrong. The boy appeared to be crying. His head hung down, he held his face in his hands, and his body shook convulsively. It was a strange, soundless weeping, and Mr. Oliver felt distinctly uneasy.

Well, what’s the matter, he asked, his anger giving way to concern. What are you crying for? The boy would not answer or look up. His body continued to be wracked with silent sobbing.

Oh, come on, boy. You shouldn’t be out here at this hour. Tell me the trouble. Look up.

Read the extract given below and answer the question that follow.

Why did Mr Oliver’s anger change to concern?


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Read the extract given below and answer the question that follow.

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