English

The Shehnai of Bismillah Khan Thinking About the Text :Tick the Right Answer.Bismillah Khan’S Paternal Ancestors Were (Barbers, Professional Musicians).

Advertisements
Advertisements

Question

The Shehnai of Bismillah Khan Thinking about the text :

Tick the right answer.

Bismillah Khan’s paternal ancestors were (barbers, professional musicians).

Advertisements

Solution

Bismillah Khan’s paternal ancestors were professional musicians.

shaalaa.com
Reading
  Is there an error in this question or solution?
Chapter 2.1: The Sound of Music - Thinking about the Text 2 [Page 25]

APPEARS IN

NCERT English Beehive Class 9
Chapter 2.1 The Sound of Music
Thinking about the Text 2 | Q 1.3 | Page 25

RELATED QUESTIONS

Tick the right answer.

When you appreciate something, you (find it good and useful/find it of no use).


Why does the world remember Einstein as a “world citizen”?


Discuss in group and answer the following question in two or three paragraphs (100 −150 words)

How did Montmorency ‘contribute’ to the packing?


The black man's face bespoke revenge
As the fire passed from his sight.
For all he saw in his stick of wood
Was a chance to spite the white.

The last man of this forlorn group
Did nought except for gain.
Giving only to those who gave
Was how he played the game.

Their logs held tight in death's still hands
Was proof of human sin.
They didn't die from the cold without
They died from the cold within.

Read the lines given above and answer the question that follow.

Discuss personification as used by the poet.


Some are like fields of sunlit corn,
Meet for a bride on her bridal morn,
Some, like the flame of her marriage fire,
Or, rich with the hue of her heart's desire,
Tinkling,luminous,tender, and clear,
Like her bridal laughter and bridal tear.

Read the lines given above and answer the question that follow.

The poet has used several expressions which form pictures in the readers mind “fields of sunlit corn” and “circles of light”. Pick out more such expressions from the poem.


It matters little where we pass the remnant of our days. They will not be many. The Indian’s night promises to be dark. Not a single star of hope hovers above his horizon. Sad-voiced winds moan in the distance. Grim fate seems to be on the Red Man’s trail, and wherever he will hear the approaching footsteps of his fell destroyer and prepare stolidly to meet his doom, as does the wounded doe that hears the approaching footsteps of the hunter.

A few more moons, a few more winters, and not one of the descendants of the mighty hosts that once moved over this broad land or lived in happy homes, protected by the Great Spirit, will remain to mourn over the graves of a people once more powerful and hopeful than yours. But why should I mourn at the untimely fate of my people? Tribe follows tribe, and nation follows nation, like the waves of the sea. It is the order of nature, and regret is useless. Your time of decay may be distant, but it will surely come, for even the White Man whose God walked and talked with him as friend to friend, cannot be exempt from the common destiny. We may be brothers after all. We will see.

Read the extract given below and answer the question that follow.

Why does Seattle say that they maybe brothers after all?


When there was a strong wind, the pine trees made sad, eerie sounds that kept most people to the main road. But Mr. Oliver was not a nervous or imaginative man. He carried a torch – and on the night I write of, its pale gleam, the batteries were running down – moved fitfully over the narrow forest path. When its flickering light fell on the figure of a boy, who was sitting alone on a rock, Mr. Oliver stopped.

Boys were not supposed to be out of school after seven P.M. and it was now well past nine. What are you doing out here, boy, asked Mr. Oliver sharply, moving closer so that he could recognize the miscreant.

Read the extract given below and answer the question that follow.

Why did Mr Oliver take the shortcut? What did he carry with him?


Suddenly all the tension seemed to ebb out of my body as the truth of what he said hit me. Confidently, I drew a line a full foot in back of the board and proceeded to jump from there. I qualified with almost a foot to spare.

That night I walked over to Luz Long’s room in the Olympic village to thank him. I knew that if it hadn’t been for him I probably wouldn’t be jumping in the finals the following day. We sat in his quarters and talked for two hours—about track and field, ourselves, the world situation, a dozen other things.

When I finally got up to leave, we both knew that a real friendship had been formed. Luz would go out to the field the next day trying to beat me if he could. But I knew that he wanted me to do my best—even if that meant my winning.

Read the extract given below and answer the question that follow.

How did Owens manage to qualify for the finals with a foot to spare?


What was in the cat’s name that pleased Mridu?


Why did the farmer bring a baby mongoose into the house?


Discuss plan A, B and C and the reasons for their respective failures.


What does the child’s mother say about snakes?


Is it good to play with snakes which are not very dangerous?


Word in the box given below indicates a large number of… For example, ‘a herd of cows’ refers to many cows. Complete the following phrase with a suitable word from the box.
a _______________ of sticks


Answer the following question:

When and why did she go to the U.S.? Who did she marry?


 How did Jumman treat his old aunt?


What does the poem say about the poet’s choice of subject?


What does Prospero intend to do with his book before his interaction with Alonso in Act V of the play, The Tempest?


Read the extract given below and answer the questions that follow:

Bassanio: 
And, I beseech you,
Wrest once the law to your authority.
To do a great right, do a little wrong,
and curb this cruel devil of his will.

Portia: 
It must not be. There is no power in Venice
Can alter a decree established:
“I will be recorded for a precedent,

  1. Who is on trial?
    Why is this person on trial?     [3]
  2. Explain in your own words Bassanio’s request to portia in the given extract.
    What reason does he give for his request?    [3]
  3. How does Portia respond to Bassanio's request? What TWO reasons does she give for her response?   [3]
  4. Who does Bassanio refer to as ‘this cruel devil’? What is this person's response to Portia’s words in the given extract?   [3]
  5. How is the ‘cruel devil’ punished at the end of the trial?
    How fair, in your opinion, is this punishment? Justify your response.   [4]

Which of the given options contains the figure of speech that appears in the following line from Leigh Hunt's poem “The Glove and the Lions’: ‘Ramped and roared the lions’:


Share
Notifications

Englishहिंदीमराठी


      Forgot password?
Use app×