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Revision: Superposition of Waves Physics HSC Science (General) 12th Standard Board Exam Maharashtra State Board

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Definitions [34]

Definition: Superposition of Waves

The phenomenon in which, when two or more waves arrive at a point simultaneously, each wave produces its own displacement independent of the other, and the resultant displacement at a point is the vector sum of the displacements due to the individual waves, is called superposition of waves.

Definition: Progressive Wave

A wave in which the disturbance produced in the medium travels in a given direction continuously, without any damping and obstruction, from one particle to another, is called a progressive wave.

Definition: Transverse Wave

A wave in which vibrations of particles are perpendicular to the direction of propagation of the wave and produce crests and troughs in their medium of travel is called a transverse wave.

Definition: Longitudinal Wave

A wave in which vibrations of particles produce compressions and rarefactions along the direction of propagation of the wave is called a longitudinal wave.

Definition: Reflection of Waves

The phenomenon that occurs when a progressive wave travelling through a medium reaches a rigid boundary and gets reflected is called reflection of waves.

Definition: Stationary Wave

When two identical waves travelling along the same path in opposite directions interfere with each other, the resultant wave is called a stationary wave.

Definition: Forced Vibration

The vibration that occurs due to a continuous external force acting on the system, where the body vibrates at the frequency of the external periodic force, is called forced vibration.

Definition: Free Vibration

The vibration that occurs without any external periodic force after an initial disturbance, where the body vibrates at its own natural frequency, is called free vibration.

Definition: Harmonics

All the frequencies that are integral multiples of the fundamental frequency are called harmonics.

Definition: Overtones

Only those multiples of fundamental frequency which are actually present in a given sound are called overtones.

Definition: Organ Pipe

The musical instruments which are used for producing musical sounds by blowing air into them are called organ pipes.

Definition: Waxing

The maximum intensity point produced during the formation of beats is called waxing.

Definition: Waning

The minimum intensity point produced during the formation of beats is called waning.

Definition: Beats

The variation in intensity of sound with time at a particular position, due to the principle of superposition of two sound waves of slightly different frequencies, is called beats.

Definition: Phenomenon of Beats

The periodic variation of intensity of sound between maximum and minimum due to superimposition of two sound waves of same amplitude and slightly different frequencies is called the phenomenon of beats.

Define the following term:

Frequency

The frequency of a particle executing S.H.M. is equal to the number of oscillations completed in one second. 

Definition: Wind Instruments

The musical instruments that consist of an air column in which sound is produced by setting vibrations of the air column are called wind instruments. (Examples: Mouth organ, flute)

Definition: Stringed Instruments

The musical instruments that consist of a stretched string in which sound is produced by plucking of strings are called stringed instruments. (Examples: Tanpura, sitar, guitar)

Definition: Percussion Instruments

The musical instruments in which sound is produced by setting vibration in a stretched membrane are called percussion instruments. (Examples: Tabla, drum)

Definition: Principle of Superposition

When two or more waves, travelling through medium, pass through  common point, each wave produces its own displacement at that point, independent of the presence of the other wave. The resultant displacement at that point is equal to the vector sum of the displacements due to the individual wove at that point.

Definition: Resonance

The phenomenon in which the amplitude of forced vibrations becomes maximum when the driving frequency equals the natural frequency.

Definition: Reflection of Waves

When a progressive wave, travelling through a medium, reaches an interface separating two media, a certain part of the wave energy comes back in the same medium. The wave changes its direction of travel. This is called reflection of a wave from the interface.

Definition: Forced Vibrations

Vibrations in which a body vibrates under the influence of an external periodic force, with the frequency of the external force.

Definition: Fundamental Frequency

The lowest natural frequency of a vibrating system is called the fundamental frequency or first harmonic.

Definition: Fundamental Mode

The mode of vibration corresponding to the fundamental frequency is called the fundamental mode or fundamental tone.

Definition: Sound Box

The hollow wooden box used to amplify the sound produced by the vibrating string is called the sound box.

Definition: Mechanical Wave

A mechanical wave is a disturbance produced in an elastic medium due to periodic vibrations of particles of the medium about their respective mean positions.

Definition: Natural Frequency

The frequency at which a body vibrates when disturbed and left free to vibrate on its own.

Definition: Free Vibrations

Vibrations in which a body vibrates at its natural frequency without any external periodic force.

Definition: Sonometer

A sonometer is an apparatus used to study the vibrations of a stretched string and to verify the laws of a vibrating string.

Definition: Progressive Wave

A wave, in which the disturbance is produced in the medium travels in a given direction continuously, without any damping and obstruction, from one·particle to another, is a progressive wave or a travelling wave.

Definition: Beats

Beats are the periodic variation in intensity of sound produced due to the superposition of two sound waves having nearly equal (slightly different) frequencies.

Definition: Time Period of Beats

The interval between two maximum sound intensities is the time period of beats.

Definition: Stationary Wave

When two identical waves travelling along the same path in opposite directions interfere with each other, resultant wave is called stationary wave.

Formulae [10]

Formula: Equation of Stationary Wave

y = 2A cos\[\left(\frac{2\pi x}{\lambda}\right)\sin(2\pi nt)\]

In terms of resultant amplitude R: y = R sin(2πnt)

where: R = 2A cos⁡\[\left(\frac{2\pi x}{\lambda}\right)\]

Formula: Displacement Relation of a Progressive Wave

y(x,t) = a sin(kx − ωt + ϕ0​)

where:

  • a = Amplitude
  • k = Angular wave number
  • ω = Angular frequency
  • ϕ0​ = Initial phase

If displacement is a linear combination of sine and cosine:

y(x,t) = A sin(kx − ωt) + B cos(kx − ωt)

Formula: Closed Organ Pipe
Mode Formula Also Known As
1st mode (Fundamental) n1 = \[\frac {v}{4L}\] 1st harmonic
2nd mode n2 = \[\frac {3v}{4L}\] = 3n1 3rd harmonic or 1st overtone
pth np = (2p − 1)\[\frac {v}{4L}\] (2p − 1)th harmonic or (2p − 3)th overtone
Formula: Open Organ Pipe
Mode Formula Also Known As
1st mode (Fundamental) n1 = \[\frac {v}{2L}\] 1st harmonic
2nd mode n2 = \[\frac {v}{L}\] = 2n1 2nd harmonic or 1st overtone
pth mode np = p\[\frac {v}{2L}\] pth harmonic or (p − 1)th overtone
Formula: Wavelength & Length Relations
Pipe Length of pipe Possible wavelengths
Closed L = (n + \[\frac {1}{2}\])\[\frac {λ}{2}\]​, for n = 0,1,2,… λ = \[\frac {2L}{(n+\frac {1}{2})}\]
Open L = \[\frac {nλ}{2}\], where n=1,2,3,… λ = \[\frac {2L}{n}\]
Formula: Combined Law

Combining all three laws:

n = \[\frac {1}{2l}\]\[\sqrt {\frac {T}{​m}}\]

where:

  • n = fundamental frequency
  • l = length of string
  • T = tension in the string
  • m = mass per unit length of the string
Formula: Beat Frequency

The number of beats formed per second is expressed as ∣v1 − v2∣, i.e., either (v1 − v2) or (v2 − v1), where v1​ and v2 are frequencies of the two sound waves.

N = n1 ​− n2

Formula: Beat Period

The beat period is the reciprocal of beat frequency:

T = \[\frac{1}{n_1-n_2}\] or T = \[\frac{1}{|v_1-v_2|}\]

Formula: Fundamental Frequency of a Vibrating String

n = \[\frac{1}{2l}\sqrt{\frac{T}{\mu}}\]

where:

  • l = length of string
  • T = tension
  • μ = mass per unit length (linear density)
Formula: Frequency of Beats

N = n1 - n2

Theorems and Laws [7]

Law: Principle of Superposition of Waves

When two or more waves arrive at a point simultaneously, each wave produces its own displacement independent of the other. The resultant displacement at a point is the vector sum (algebraic sum) of the displacements due to the individual waves.

State law of length.

The fundamental frequency of vibrations of a string is inversely proportional to the length of the vibrating string if tension and mass per unit length are constant. 

∴ n ∝ `1/l`    ...(if T and m are constant.)

Prove that the frequency of beats is equal to the difference between the frequencies of the two sound notes giving rise to beats.

Consider two sound waves, having the same amplitude and slightly different frequencies n1 and n2. Let us assume that they arrive in phase at some point x of the medium. The displacement due to each wave at any instant of time at that point is given as

`y_1 = A sin {2pi (n_1t - x/lambda_1)}`

`y_2 = A sin {2pi (n_2t - x/lambda_2)}`

Let us assume for simplicity that the listener is at x = 0.

∴ y1 = A sin (2πn1t)     ...(i)

and y2 = A sin (2πn2t)     ...(ii)

According to the principle of superposition of waves,

y = y1 + y2

∴ y = A sin (2πn1t) + A sin (2πn2t)

By using formula,

sin C + sin D = 2 sin `((C + D)/2) cos ((C − D)/2)`

y = `A[2sin((2pin_1t + 2pi n_2t)/2 )] cos [((2pin_1t - 2pin_2t)/2)]`

y = `2A sin [2pi ((n_1 + n_2)/2)t] cos [2pi ((n_1 - n_2)/2)t]`

∴ y = `R sin [2pi ((n_1 + n_2)/2)t]`

y = R sin (2πnt)     ...(iii)

Where,

R = `2A cos[(2pi(n_1 - n_2))/(2)t]` and n = `(n_1 + n_2)/2`

Equation (iii) is the equation of a progressive wave having frequency `((n_1 + n_2)/2)` and resultant amplitude R.

For waxing,

A = ± 2a

`therefore 2A cos [2pi((n_1 - n_2)/2)t] = +- 2A`

`therefore cos [2pi ((n_1 - n_2)/2)]t = +-( 2A)/(2A)`

`therefore cos [2pi ((n_1 - n_2)/2)]t = +- 1`

This is possible if

`2pi ((n_1 - n_2)/2)t = 0, pi, 2pi, 3pi, ....`

i.e. t = 0, `1/(n_1 - n_2), 2/(n_1 - n_2), 3/(n_1 - n_2), ...`

∴ Period of beat T = `[1/(n_1 - n_2) - 0]`

T = `1/(n_1 - n_2)`

∴ Frequency of beats n = `1/T`

n = n1 − n2

Thus, the frequency of beats is equal to the difference between the frequencies of the two sound notes giving rise to beats.

State law of linear density.

The fundamental frequency of vibrations of a string is inversely proportional to the square root of mass per unit length (linear density) if the tension and vibrating length of the string are constant.

∴ `n ∝ 1/sqrtm`  ...(if T and l are constant.)

Law: Low of Linear Density

The fundamental frequency of vibrations of a string is inversely proportional to the square root of mass per unit length (linear density), if the tension and vibrating length of the string are constant.

n ∝ \[\frac{1}{\sqrt{m}}\], if T and l are constant.

Law: Law of Length

The fundamental frequency of vibrations of a string is inversely proportional to the length of the vibrating string, if tension and mass per unit length are constant.
n ∝ \[\frac {1}{l}\], if T and m are constant.

Law: Law of Tension

The fundamental frequency of vibrations of a string is directly proportional to the square root of tension, if vibrating length and mass per unit length are constant.
n ∝ \[\sqrt {T}\] , if l and m are constant.

Key Points

Key Points: Free vs Forced Vibrations
Sr. No. Free Vibrations Forced Vibrations
i. Produced when a body is disturbed from its equilibrium position and released Produced by an external periodic force of any frequency
ii. Force is required initially only; then body vibrates on its own Continuous external periodic force is required; if stopped, vibrations also stop
iii. Frequency depends on the natural frequency of the body Frequency depends on the frequency of the external periodic force
iv. Energy remains constant in absence of friction/air resistance; decreases due to damping forces Energy of the body is maintained constant by the external periodic force
v. Amplitude decreases with time Amplitude is small but remains constant as long as external periodic force acts
vi. Vibrations stop sooner or later depending on the damping force Vibrations stop as soon as the external periodic force is stopped
Key Points: Beats
  • Beats are formed when two waves of same amplitude but slightly different frequencies superimpose.
  • Waxing and waning are alternatively produced.
  • The greater the difference in frequency between the two waves, the higher the beat frequency.
Key Points: Properties of Progressive Waves
  • In a progressive wave, each particle of the medium vibrates about its mean position in simple harmonic motion.
  • All particles have the same amplitude, frequency, and time period.
  • The phase of vibration changes from particle to particle.
  • Energy is transferred through the medium, but no matter is transferred.
  • Particles have maximum velocity at the mean position and zero velocity at extreme positions.
  • Wave velocity depends on the properties of the medium.
  • Progressive waves are of two types:
    Transverse (vibrations perpendicular to the direction of propagation)
    Longitudinal (vibrations parallel to the direction of propagation).
Key Points: Verification of Laws of Vibrating String
  • First law (Law of length):
    For constant tension and linear density, frequency is inversely proportional to length:
    n ∝ \[\frac {1}{l}\]
  • Second law (Law of tension):
    For constant length and linear density, frequency is directly proportional to the square root of tension:
    n ∝ \[\sqrt {T}\]
  • Third law (Law of linear density):
    For constant length and tension, frequency is inversely proportional to the square root of mass per unit length:
    n ∝ \[\frac {1}{\sqrt {m}}\]These three laws are verified using a sonometer.
Key Points: Superposition of Waves
  • When two waves meet, the resultant displacement is the sum of their individual displacements.
  • After crossing, waves continue with their original shape and speed.
  • In-phase waves (ϕ = 0) produce maximum amplitude (constructive interference).
  • Out-of-phase waves (ϕ = π) produce a minimum or zero amplitude (destructive interference).
  • Intensity depends on amplitude², so it is maximum in constructive and minimum in destructive interference.
Key Points: Progressive and Standing Waves
  • A progressive wave travels through the medium, whereas a stationary wave does not.
  • In progressive waves, all particles have the same amplitude; in stationary waves, the amplitude varies.
  • In progressive waves, particles cross the mean position at different times; in stationary waves, they cross together.
  • In progressive waves, all particles move; in stationary waves, nodes remain at rest.
  • Progressive waves transfer energy; stationary waves do not transfer energy.
Key Points: Vibrations of a Stretched String
  • A stretched string fixed at both ends forms stationary waves with nodes at the ends.
  • The fundamental mode has one loop, with wavelength λ = 2l.
  • Frequencies of harmonics are integral multiples of the fundamental:
    np = pn
  • Frequency increases with tension and decreases with length and linear density.
Key Points; Application of Beats
  • Beats are used to tune musical instruments; when beat frequency becomes zero, the instruments are in unison (same frequency).
  • Beats are used in Doppler RADAR and SONAR to determine the speed of moving objects like aeroplanes, vehicles, and submarines.
  • Beats help in finding an unknown frequency by adjusting a known frequency source until beat frequency becomes zero.
Key Points: Properties of Stationary Waves
  • Stationary waves are formed by the superposition of two identical waves travelling in opposite directions.
  • In a stationary wave, some points remain at rest (nodes), and some vibrate with maximum amplitude (antinodes).
  • The distance between two consecutive nodes or two consecutive antinodes is \[\frac {λ}{2}\], and between a node and adjacent antinode is \[\frac {λ}{4}\].
  • All particles between two adjacent nodes vibrate in the same phase, but adjacent loops vibrate in opposite phase.
  • In stationary waves, energy is not transferred; the wave is localised, and the wave velocity is zero.
Key Points: Vibrations of Air Columns and End Correction
  • End correction is the extra length added because the antinode forms slightly outside the open end.
    e ≈ 0.3d
  • For a closed pipe: corrected length L = l + e; only odd harmonics are present.
  • For an open pipe: corrected length L = l + 2e; all harmonics are present.
  • Fundamental frequency:
    Closed pipe → n = \[\frac {v}{4L}\]
    Open pipe → n = \[\frac {v}{2L}\]
  • For the same length, the fundamental frequency of an open pipe is double that of a closed pipe.
Key Points: Sound and Musical Instruments
  • Sound has three main characteristics: loudness, pitch, and quality (timbre).
  • Loudness depends on intensity and amplitude; sound level is measured in decibels (dB).
    β = 10log⁡10\[\frac {I}{I_0}\]
  • Pitch depends on frequency; a higher frequency means a higher pitch.
  • Quality (timbre) depends on the number and relative amplitudes of overtones; it helps distinguish between sounds of the same pitch and loudness.
  • A musical sound is produced by regular, periodic vibrations; irregular vibrations produce noise.
  • Musical instruments work by producing stationary waves in strings, air columns, or membranes.
  • Musical instruments are classified into stringed, wind, and percussion instruments.

Important Questions [41]

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