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प्रश्न
Stress and intonation exercises can be a great way to understand the emotional and rhythmic feelings associated with dialogues in a play.
Let us pick a few lines from the play and speak them aloud. Focus on how stress and intonation can change their meaning or emotional impact.
| Sentences | Stress | Intonation |
| I don’t want papa to feel that I don’t care about his opinions, because I do. |
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| Tonight, at dinner, I promise to bring this up. |
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| Why are you lost in thought my dear child? |
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| Each bay, its own wind |
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सारिणी
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उत्तर
| Sentences | Stress | Intonation |
| I don’t want papa to feel that I don’t care about his opinions, because I do. | Stress ‘don’t’ in the first part and ‘do’ in the second part. This highlights the contrast in Shruti’s feelings and her concern for her father’s opinions. | Start with a slightly lower, concerned tone and rise towards the end to emphasise her sincerity. |
| Tonight, at dinner, I promise to bring this up. | Stress ‘promise’ and ‘bring this up’ to show Shruti’s determination and the importance of what she plans to do. | Begin with a decisive tone on ‘promise’ and slightly increase the pitch and volume on ‘bring this up’ to show resolve. |
| Why are you lost in thought, my dear child? | Stress ‘lost’ and ‘thought’ to emphasise Leela’s concern about Shruti. | Use a gentle, caring tone and raise the tone slightly on ‘lost’ to express curiosity and concern. |
| Each bay, its own wind. | Stress ‘each’ and ‘own’ to highlight the uniqueness of every person’s path and choice. | Use a thoughtful, slightly philosophical tone with a steady pitch that gently rises on ‘own’. |
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