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प्रश्न
Read the following extract from Jesse Owens's short story, ‘My Greatest Olympic Prize’ and answer the question that follows:
| I wasn't too worried about all this. I'd trained, sweated and disciplined myself for six years with the Games in mind. While I was going over on the boat, all I could think about was taking home one or two of those gold medals. I had my eye especially on the running broad jump. |
- What does Owens mean by 'all this'? What games does he refer to? [3]
- What made Owens confident of winning a gold medal or two? [3]
-
What was the ‘surprise’ that Hitler had kept hidden from the world?
How did Owens feel when he came face to face with the ‘surprise’? [3] - Describe Owens’ performance in the broad jump trials.
What doubts filled his mind at this time? [3] - What makes Luz Long’s behaviour at the ‘Games’ truly remarkable in the context of the times?
Identify a theme that is common to the short story ‘My Greatest Olympic Prize and the poem ‘Nine Gold Medals’. [4]
दीर्घउत्तर
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उत्तर
- In the context of Jesse Owens's quote from "My Greatest Olympic Prize," 'all this' refers to the various pressures, expectations, and perhaps controversies surrounding his participation in the Olympic Games. This could include the intense training, media attention, the political climate of the time (especially the 1936 Berlin Olympics held under Nazi Germany), and the personal challenges of being an African-American athlete representing the United States during a period of significant racial tension and discrimination.
Jesse Owens refers to the Olympic Games, specifically the 1936 Summer Olympics held in Berlin, Germany. These games are particularly historic due to the political context of Nazi Germany and Owens's remarkable achievements, where he won four gold medals, effectively challenging the racial superiority touted by the Nazi regime. - Jesse Owens's confidence in winning one or two gold medals at the Olympic Games, as expressed in his short story "My Greatest Olympic Prize," stemmed from several factors:
- Extensive Training: Owens mentions having "trained, sweated and disciplined myself for six years with the Games in mind." This long-term, rigorous preparation honed his athletic skills and built his physical capabilities to peak condition, crucial for excelling in highly competitive events.
- Focused Preparation: Owens had a specific focus on the events he was targeting, particularly the running broad jump (long jump). This specialized preparation allowed him to master the techniques and nuances required to excel in this event.
- Mental Readiness: His mental preparation and focus are evident in his anticipation and excitement about competing for the gold medals. Being mentally prepared is as important as physical readiness in achieving success in sports.
- Previous Achievements: Prior to the Olympics, Owens had already demonstrated his prowess in track and field during his college years, setting records and winning multiple titles, which would naturally build his confidence in his ability to perform at an international level.
These factors combined made Jesse Owens confident in his ability to achieve his goal of winning gold medals at the Olympics, showcasing not just his physical readiness but also his mental fortitude and dedication to his sport.
-
In Jesse Owens's short story, "My Greatest Olympic Prize," the "surprise" that Hitler had kept hidden from the world was the formidable German athlete Luz Long. Luz Long was not widely known internationally before the 1936 Olympics but was a talented long jumper who was expected to challenge Jesse Owens in the event.
When Jesse Owens first encountered Luz Long, he likely felt a mix of surprise and admiration, coupled with a competitive spirit. Initially, Owens may have been taken aback by the unexpected challenge posed by such a strong competitor. However, the story famously highlights not just the rivalry but also the emerging friendship and mutual respect between Owens and Long. Long's sportsmanship and guidance, particularly during the qualifications where he advised Owens on how to adjust his approach to avoid fouling, left a profound impact on Owens. This interaction transformed his initial feelings of competition into a deep respect and camaraderie, which Owens cherished as his greatest Olympic prize, even more so than the medals he won. This relationship also symbolized a powerful and enduring message against the racial and ideological propaganda of the Nazi regime at the time.
- In Jesse Owens's short story "My Greatest Olympic Prize," he describes his performance during the broad jump (long jump) trials at the 1936 Berlin Olympics. Despite being a strong favorite, Owens encountered difficulties during the qualifying rounds:
- Fouls: Owens fouled on his first two attempts in the qualifying round. The rules allowed each jumper three attempts to reach a qualifying distance, and failing to meet this requirement would disqualify them from the final competition.
- Doubts and Pressure: These initial fouls filled Owens's mind with doubts and pressure. He was at risk of not qualifying for the finals, a shocking prospect for a top contender expected to win gold. The pressure was immense, not just because of his personal and national expectations but also due to the politically charged atmosphere of the Berlin Games.
During this stressful time, Luz Long, the German athlete and Owens's main rival, provided unexpected support. Long suggested that Owens adjust his approach by taking off well before the foul line to ensure a valid jump. This advice proved crucial, helping Owens qualify for the final, where he ultimately won the gold medal. Owens's story emphasizes not only the athletic challenge but also the personal interactions that profoundly impacted his Olympic experience, particularly his friendship with Long amidst the intense competition.
- Luz Long's behavior during the 1936 Berlin Olympics is truly remarkable given the historical and political context:
- Political and Racial Tensions: The 1936 Olympics were held in Nazi Germany, a regime that promoted racial superiority and anti-Semitic policies. Jesse Owens, as an African-American, was not the favored athlete in the eyes of the Nazi propaganda machine, which used the Games to showcase Aryan supremacy.
- Sportsmanship and Humanity: Despite the prevailing racial ideologies promoted by his country's leadership, Luz Long, a German athlete, displayed exceptional sportsmanship and camaraderie. He openly befriended Owens, providing him with critical advice during the long jump trials, which helped Owens avoid disqualification after two fouls. This act of kindness and bravery was against the backdrop of a hostile environment, making it a profound gesture of humanity and defiance against the discriminatory policies of the time.
- Public Acknowledgment: Long's behavior was not only supportive but also public. He congratulated Owens openly after his jumps, and they took a victory lap together, which was a significant display of unity and respect across racial lines during a period of intense racial discrimination.
Common Theme with ‘Nine Gold Medals’: A theme common to Jesse Owens's "My Greatest Olympic Prize" and the poem "Nine Gold Medals" by David Roth is the theme of sportsmanship and the unifying power of sports. Both works highlight how, despite competitive settings, athletes can exhibit profound kindness and solidarity. In "Nine Gold Medals," the athletes assist a fellow competitor who falls during the race, demonstrating that empathy and unity can transcend the desire for personal achievement. Similarly, in Owens's story, Luz Long's actions exemplify how sports can bring individuals together, transcending societal barriers and prejudices to celebrate common humanity and shared values. These narratives promote the idea that true victory in sports lies not in the medals won but in the friendships forged and the dignity upheld.
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संबंधित प्रश्न
Explain what the reason for the following is .
What do these tell you about Einstein?
Now read the story
- "Ma!" Mrs. Bramble looked up, beaming with a kind of amiable fat-headedness. A domestic creature, wrapped up in Bill, her husband, and Harold, her son. At the present moment only the latter was with her. He sat on the other side of the table, his lips gravely pursed and his eyes a trifle cloudy behind their spectacles. Before him on the red tablecloth lay an open book. His powerful brain was plainly busy.
- "Yes, dearie?"
- "Will you hear me?"
- Mrs. Bramble took the book.
- "Yes, mother will hear you, precious."
- A slight frown, marred the smoothness of Harold Bramble's brow. It jarred upon him, this habit of his mother's, of referring to herself in the third person, as if she were addressing a baby, instead of a young man of ten who had taken the spelling and dictation prize last term on his head.
- He cleared his throat and fixed his eyes upon the cut-glass hangings of the chandelier.
- "Be good, sweet maid," he began, with the toneless rapidity affected by youths of his age when reciting poetry…..
- "You do study so hard, dearie, you'll give yourself a headache. Why don't you take a nice walk by the river for half an hour, and come back nice and fresh?"
- The spectacled child considered the point for a moment gravely. Then nodding, he arranged his books in readiness for his return and went out. The front door closed with a decorous softness.
- It was a constant source of amazement to Mrs. Bramble that she should have brought such a prodigy as Harold into the world. Harold was so different from ordinary children, so devoted to his books, such a model of behaviour, so altogether admirable. The only drawback was, that his very 'perfection' had made necessary a series of evasions and even deliberate falsehoods, on the part of herself and her husband, highly distasteful to both. They were lovers of truth, but they had realized that there are times when truth must be sacrificed. At any cost, the facts concerning Mr. Bramble's profession must be kept from Harold.
- While he was a baby it had not mattered so much. But when he began to move about and take notice, Mrs. Bramble said to Mr. Bramble, "Bill, we must keep it from Harold." A little later, when the child had begun to show signs of being about to become a model of goodness and intelligence, and had already taken two prizes at the Sunday-school, the senior curate of the parish, meeting Mr. Bramble one morning, said nervously-for after all, it was a delicate subject to broach, "Er-Bramble, I think, on the whole, it would be as well to-er-keep it from Harold."
- And only the other day, Mrs. Bramble's brother, Major Percy Stokes, dropping in for a cup of tea, had said, "I hope you are keeping it from Harold. It is the least you can do", and had gone on to make one or two remarks about men of wrath which, considering that his cheek-bones were glistening with Mr. Bramble's buttered toast, were in poor taste. But Percy was like that. Enemies said that he liked the sound of his own voice.
- Certainly he was very persuasive. Mr. Bramble had fallen in with the suggestion without demur. In private life he was the mildest and most obliging of men, and always yielded to everybody. The very naming of Harold had caused a sacrifice on his part.
- When it was certain that he was about to become a father, he had expressed a desire that the child should be named John, if a boy, after Mr John L. Sullivan, or, if a girl, Marie, after Miss Marie Lloyd. But Mrs Bramble saying that Harold was such a sweet name, he had withdrawn his suggestions with the utmost goodhumour.
- Nobody could help liking this excellent man which made it all the greater pity that his walk in life was of such a nature that it simply had to be kept from Harold.
- He was a professional boxer. That was the trouble.
- Before the coming of Harold, he had been proud of being a professional boxer. His ability to paste his fellow-man in the eye while apparently meditating an attack on his stomach, and vice versa, had filled him with that genial glow of self-satisfaction which comes to philanthropists and other benefactors of the species. It had seemed to him a thing on which to congratulate himself that of all London's teeming millions there was not a man, weighing eight stone four, whom he could not overcome in a twenty-round contest. He was delighted to be the possessor of a left hook which had won the approval of the newspapers.
- And then Harold had come into his life, and changed him into a furtive practitioner of shady deeds. Before, he had gone about the world with a match-box full of press-notices, which he would extract with a pin and read to casual acquaintances. Now, he quailed at the sight of his name in print, so thoroughly had he become imbued with the necessity of keeping it from Harold.
- With an ordinary boy it would not have mattered. However, Harold was different. Secretly proud of him as they were, both Bill and his wife were a little afraid of their wonderful child. The fact was, as Bill himself put it, Harold was showing a bit too much class for them. He had formed a corner in brains, as far as the Bramble family was concerned. They had come to regard him as being of a superior order.
- Yet Harold, defying the laws of heredity, had run to intellect as his father had run to muscle. He had learned to read and write with amazing quickness. He sang in the choir.
- And now, at the age of ten, a pupil at a local private school where they wore mortar boards and generally comported themselves like young dons, he had already won a prize for spelling and dictation. You simply couldn't take a boy like that aside and tell him that the father whom he believed to be a commercial traveller was affectionately known to a large section of the inhabitants of London, as "Young Porky." There were no two ways about it. You had to keep it from him.
- So, Harold grew in stature and intelligence, without a suspicion of the real identity of the square-jawed man with the irregularly-shaped nose who came and went mysteriously in their semi-detached, red-brick home. He was a self-centred child, and, accepting the commercial traveller fiction, dismissed the subject from his mind and busied himself with things of more moment. And time slipped by.
- Mrs. Bramble, left alone, resumed work on the sock which she was darning. For the first time since Harold had reached years of intelligence she was easy in her mind about the future. A week from tonight would see the end of all her anxieties. On that day Bill would fight his last fight, the twenty-round contest with that American Murphy at the National Sporting Club for which he was now training at the White Hart down the road. He had promised that it would be the last. He was getting on. He was thirty-one, and he said himself that he would have to be chucking the game before it chucked him. His idea was to retire from active work and try for a job as an instructor at one of these big schools or colleges. He had a splendid record for respectability and sobriety and all the other qualities which headmasters demanded in those who taught their young gentlemen to box and several of his friends who had obtained similar posts described the job in question as extremely soft. So that it seemed to Mrs. Bramble, that all might now be considered well. She smiled happily to herself as she darned her sock.
- She was interrupted in her meditations by a knock at the front door. She put down her sock and listened.
- Martha, the general, pattered along the passage, and then there came the sound of voices speaking in an undertone. Footsteps made themselves heard in the passage. The door opened. The head and shoulders of Major Percy Stokes insinuated themselves into the room.
- The Major cocked a mild blue eye at her.
- "Harold anywhere about?"
- "He's gone out for a nice walk. Whatever brings you here, Percy, so late? "
- Percy made no answer. He withdrew his head.
- He then reappeared, this time in his entirety, and remained holding the door open. More footsteps in the passage, and through the doorway in a sideways fashion suggestive of a diffident crab, came a short, sturdy, red-headed man with a broken nose and a propitiatory smile, at the sight of whom Mrs. Bramble, dropping her sock, rose as if propelled by powerful machinery, and exclaimed, "Bill!"
- Mr. Bramble - for it was he - scratched his head, grinned feebly, and looked for assistance to the Major.
- "The scales have fallen from his eyes."
- "What scales?" demanded Mrs. Bramble, a literal-minded woman. "And what are you doing here, Bill, when you ought to be at the White Hart, training?"
- "That's just what I'm telling you," said Percy. "I’ve been wrestling with Bill, and I have been vouchsafed the victory."
- "You!" said Mrs. Bramble, with uncomplimentary astonishment, letting her gaze wander over her brother's weedy form.
- "Jerry Fisher's a hard nut," said Mr. Bramble, apologetically. "He don't like people coming round talking to a man he's training, unless he introduces them or they're newspaper gents."
- "After that I kept away. But I wrote the letters and I sent the tracts. Bill, which of the tracts was it that snatched you from the primrose path?"
- "It wasn't so much the letters, Perce. It was what you wrote about Harold. You see, Jane---"
- "Perhaps you'll kindly allow me to get a word in edgeways, you two," said Mrs.Bramble, her temper for once becoming ruffled. "You can stop talking for half an instant, Percy, if you know how, while Bill tells me what he's doing here when he ought to be at the White Hart with Mr. Fisher, doing his bit of training."
- Mr. Bramble met her eye and blinked awkwardly.
- " Percy's just been telling you, Jane. He wrote---"
- "I haven't made head or tail of a single word that Percy's said, and I don't expect to. All I want is a plain answer to a plain question. What are you doing here, Bill, instead of being at the White Hart? "
- "I've come home, Jane."
- "Glory!" exclaimed the Major.
- "Percy, if you don't keep quiet, I'll forget I'm your sister and let you have one. What
do you mean, Bill, you've come home? Isn't there going to be the fight next week,
after all?" - "The fight's over," said the unsuppressed Major, joyfully, "and Bill's won, with me
seconding him." - "Percy!"
- Mr. Bramble pulled himself together with a visible effort.
- "I'm not going to fight, Jane," he said, in a small voice.
- '' You're not going--!"
- "He's seen the error of his ways," cried Percy, the resilient."That's what he's gone
and done. At the eleventh hour." - "Oh! I have waited for this joyful moment. I have watched for it. I---"
- "You're not going to fight!"
- Mr. Bramble, avoiding his wife's eye, shook his head.
- "And how about the money?"
- "What's money? " said the Major, scornfully.
- "You ought to know," snapped Mrs. Bramble, turning on him. "You've borrowed
enough of it from me in your time." - The Major waved a hand in wounded silence. He considered the remark in poor
taste. - "How about the money?" repeated Mrs. Bramble. "Goodness knows I've never liked your profession, Bill, but there is this to be said for it, that it's earned you good money and made it possible for us to give Harold as good an education as any Duke ever had, I'm sure. And you know, you yourself said that the five hundred pounds you were going to get if you beat this Murphy, and even if you lost it would be a hundred and twenty, was going to be a blessing, because it would let us finish him off proper and give him a better start in life than you or me ever had, and now
you let this Percy come over you with his foolish talk, and now I don't know what will happen." - There was an uncomfortable silence. Even Percy seemed to be at a loss for words. Mrs. Bramble sat down and began to sob. Mr. Bramble shuffled his feet.
- "Talking of Harold," said Mr. Bramble at last, " That's , really what I'm driving at. It was him only whom I was thinking of when I hopped it from the White Hart. It would be written up in all the papers, instead of only in the sporting ones. As likely as not there would be a piece about it in the Mail, with a photograph of me. And you know Harold reads his Mail regularly. And then, don't you see, the fat would be in the fire. "That's what Percy pointed out to me, and I seen what he meant, so I hopped it."
- "At the eleventh hour," added the Major, rubbing in the point.
- "You see, Jane---" Mr. Bramble was beginning, when there was a knock at the door, and a little, ferret-faced man in a woollen sweater and cycling knickerbockers entered, removing as he did so a somewhat battered bowler hat.
- "Beg pardon, Mrs. Bramble," he said, " coming in like this. Found the front door ajar, so came in, to ask if you'd happened to have seen-"
- He broke off and stood staring wildly at the little group.
- "I thought so!" he said, and shot through the air towards Percy.
- "Jerry !" said Bill.
- "Mr. Fisher!" said Mrs. Bramble,
- "Be reasonable," said the Major, diving underneath the table and coming up the other side like a performing seal.
- "Let me get at him," begged the intruder, struggling to free himself from Bill's restraining arms.
- Mrs. Bramble rapped on the table.
- "Kindly remember there's a lady present, Mr. Fisher."
- The little man's face became a battlefield on which rage, misery, and a respect for the decencies of social life struggled for mastery.
- "It's hard," he said at length, in a choked voice. "I just wanted to break his neck for him, but I suppose it's not to be. I know it's him that's at the bottom of it. And here I find them together, so I know it's him. Well, if you say so, Mrs. B., I suppose I mustn't put a hand on him. But it's hard. Bill, you come back along with me to the White Hart. I'm surprised at you. Ashamed of you, I am. All the time you and me have known each other, I've never known you do such a thing. You are such a pleasure to train as a rule. It all comes of getting with bad companions."
- Mr. Bramble looked at his brother-in-law miserably.
- "You tell him," he said.
- "You tell him, Jane," said the Major.
- "I won't," said Mrs. Bramble.
- "Tell him what? " asked the puzzled trainer.
- "Well?"
- "It's only that I'm not going to fight on Monday."
- "What!"
- "Bill has seen a sudden bright light," said Percy, edging a few inches to the left, so that the table was exactly between the trainer and himself. "At the eleventh hour, he has turned from his wicked ways. You ought to be singing with joy, Mr. Fisher, if you really loved Bill. This ought to be the happiest evening you've ever known. You ought to be singing like a little child."
- A strange, guttural noise escaped the trainer. It may have been a song, but it did not sound like it.
- "It's true, Jerry," said Bill, unhappily. "I have been thinking it over, and I'm not going to fight on Monday."
- "Glory!" said the Major, tactlessly.
- Jerry Fisher's face was a study in violent emotions. His eyes seemed to protrude from their sockets like a snail's. He clutched the tablecloth.
- "I'm sorry, Jerry," said Bill. " I know it's hard on you. But I've got to think of Harold. This fight with Jimmy Murphy being what you might call a kind of national affair, in a way of speaking, will be reported in The Mail as like as not, with a photograph of me, and Harold reads The Mail regular. We've been keeping it from him all these years that I'm in the profession, and we can't let him know now. He would die of shame, Jerry."
- Tears appeared in Jerry Fisher's eyes.
- "Bill," he cried, " you're off your head. Think of the purse!"
- "Ah!" said Mrs. Bramble.
- "Think of all the swells that'll be coming to see you. Think of what the papers'll say. Think of me."
- "I know, Jerry, it's chronic. But Harold---"
- "Think of all the trouble you've taken for the last few weeks getting yourself into condition."
- "I know. But Har---"
- "You can't not fight on Monday."
- "But Harold, Jerry. He'd die of the disgrace of it. He ain't like you and me, Jerry. He's a little gentleman. I got to think of Harold"
- "What about me, pa?" said a youthful voice at the door; and Bill's honest blood froze at the sound. His jaw fell, and he goggled dumbly.
- There, his spectacles gleaming in the gaslight, his cheeks glowing with the exertion of the nice walk, his eyebrows slightly elevated with surprise, stood Harold himself.
- "Halloa, pa! Halloa, Uncle Percy! Somebody's left the front door open. What were you saying about thinking about me, pa? Ma, will you hear me, my piece of poetry again? I think I've forgotten it."
- The four adults surveyed the innocent child in silence.
- On the faces of three of them consternation was written. In the eyes of the fourth, Mr. Fisher, there glittered that nasty, steely expression of the man, who sees his way to getting a bit of his own back, Mr. Fisher's was not an un-mixedly chivalrous nature. He considered that he had been badly treated, and what he wanted most at the moment was revenge. He had been fond and proud of Bill Bramble, but those emotions belonged to the dead past. Just at present, he felt that he disliked Bill rather more than anyone else in the world, with the possible exception of Major Percy Stokes.
- "So you're Harold, are you, Tommy? " he said, in a metallic voice." Then just you listen here a minute."
- "Jerry," cried Bill, advancing, "you keep your mouth shut, or I'll dot you one."
- Mr. Fisher retreated and, grasping a chair, swung it above his head.
- "You better! " he said, curtly.
- ''Mr. Fisher, do be a gentleman," entreated Mrs. Bramble.
- "My dear sir." There was a crooning winningness in Percy's voice. "My dear sir, do nothing hasty. Think before you speak. Don't go and be so silly as to act like a mutton-head. I'd be ashamed to be so spiteful. Respect a father's feelings."
- "Tommy," said Mr. Fisher, ignoring them all, "you think your pa's a commercial. He ain't. He's a fighting-man, doing his eight-stone-four ringside, and known to all the heads as ' Young Porky.' "
- Bill sank into a chair. He could see Harold's round eyes staring at him.
- "I'd never have thought it of you, Jerry," he said, miserably. "If anyone had come to me and told me that you could have acted so raw I'd have dotted him one."
- "And if anyone had come to me and told me that I should live to see the day when you broke training a week before a fight at the National, I'd given him one for himself."
- "Harold, my lad," said Percy, "you mustn't think none the worse of your pa for having been a man of wrath. He hadn't seen the bright light then. It's all over now. He's given it up for ever, and there's no call for you to feel ashamed."
- Bill seized on the point.
- "That's right, Harold," he said, reviving, "I've given it up. I was going to fight an American named Murphy at the National next Monday, but I ain't going to now, not if they come to me on their bended knees. Not even if the King of England came to me on his bended knees."
- Harold drew a deep breath.
- "Oh!" he cried, shrilly. "Oh, aren't you? Then what about my two bob? What about my two bob, I've betted Dicky Saunders that Jimmy Murphy won't last ten rounds?"
- He looked round the room wrathfully.
- "It's thick," he said in the crisp, gentlemanly, voice of which his parents were so proud. "It's jolly thick. That's what it is. A chap takes the trouble to study form and saves up his pocket-money to have a bet on a good thing, and then he goes and gets let down like this. It may be funny to you, but I call it rotten. And another thing I call rotten is you having kept it from me all this time that you were 'Young Porky,' pa. That's what I call so jolly rotten! There's a fellow at our school who goes about swanking in the most rotten way because he once got Phil Scott's autograph. Fellows look up to him most awfully, and all the time they might have been doing it to me. That's what makes me so jolly sick. How long do you suppose they'd go on calling me, 'Goggles' if they knew that you were my father? They'd chuck it tomorrow, and look up to me like anything, I do call it rotten. And chucking it up like this is the limit. What do you want to do it for? It's the silliest idea, I've ever heard. Why, if you beat Jimmy Murphy they'll have to give you the next chance with Sid
Sampson for the Lonsdale belt. Jimmy beat Ted Richards, and Ted beat the Ginger Nut, and the Ginger Nut only lost on a foul to Sid Sampson, and you beat Ted Richards, so they couldn't help letting you have the next go at Sid." - Mr. Fisher beamed approval.
- "If I've told your pa that once, I've told him twenty times," he said. "You certainly know a thing or two, Tommy."
- "Well, I've made a study of it since I was a kid, so I jolly well ought to. All the fellows at our place are frightfully keen on it. One chap's got a snapshot of Jimmy Wilde. At least, he says it's Jimmy Wilde, but I believe it's just some ordinary fellow. Anyhow, it's jolly blurred, so it might be anyone. Pa, can't you give me a picture of yourself boxing? I could swank like anything. And you don't know how sick a chap gets of having chaps call him, 'Goggles.' "
- "Bill," said Mr. Fisher, "you and me had better be getting back to the White Hart."
- Bill rose and followed him without a word.
- Harold broke the silence which followed their departure. The animated expression which had been on his face as he discussed the relative merits of Sid Sampson and the Ginger Nut had given place to the abstracted gravity of the student.
- "Ma!"
- Mrs. Bramble started convulsively.
- "Yes, dearie?"
- "Will you hear me? "
- Mrs. Bramble took the book.
- ''Yes, mother will hear you, precious," she said, mechanically.
- Harold fixed his eyes upon the cut-glass hangings of the chandelier.
- "Be good, sweet maid, and let who will be clever-clever. Do noble things.. "
About the Author
Sir Pelham Grenville Wodehouse, KBE (15 October 1881 - 14 February 1975) was a comic writer who enjoyed enormous popular success during his career as an acknowledged master of English prose. Wodehouse has been admired both by his contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers such as Douglas Adams, Salman Rushdie, Zadie Smith and Terry Pratchett.
Best known today for his Jeeves and Blandings Castle novels and short stories, Wodehouse was also a playwright and lyricist who was part author and writer of 15 plays and of 250 lyrics for some 30 musical comedies. He worked with Cole Porter on the musical 'Anything Goes' (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song "Bill" in Kern's Show Boat (1927), wrote the lyrics for the Gershwin - Romberg’s musical Rosalie (1928) and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The Screams and yells,the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week ot two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start - oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
Read the lines given above and answer the question given below.
What does Dahl ask the parents to do?
As it turned out, Luz broke his own past record. In doing so, he pushed me on to a peak performance. I remember that at the instant I landed from my final jump—the one which set the Olympic record of 26 feet 5-5/16 inches—he was at my side, congratulating me. Despite the fact that Hitler glared at us from the stands not a hundred yards away, Luz shook my hand hard—and it wasn’t a fake “smile with a broken heart” sort of grip, either.
You can melt down all the gold medals and cups I have, and they couldn’t be a plating on the 24-carat friendship I felt for Luz Long at that moment. I realized then, too, that Luz was the epitome of what Pierre de Coubertin, founder of the modern Olympic Games, must have had in mind when he said, “The important thing in the Olympic Games is not winning but taking part. The essential thing in life is not conquering but fighting well.”
Read the extract given below and answer the question that follow.
You can melt down all the gold medals and cups I have, and they wouldn’t be a plating on the 24-carat friendship I felt for Luz Long at that moment.
Portia: To these injunctions every one doth s'vear That comes to hazard for my worthless self.
Arragon: And so have I address'd me. Fortune now To my heart's hope! - Gold, silver and base lead.
(i) Who had tried his luck in tn; ing to choose the correct casket before the prince of Arragon? Which casket had that suitor chosen? What did he find inside the casket?
(ii) What are the three things Arragon was obliged by the oath to obey?
(iii) What was the inscription on the golden casket? How do the actions of the martlet illustrate this inscription?
(iv) Which casket does Arragon finally choose? Whose portrait does he find inside? Which casket actually contains Portia's portrait?
(v) Who enters soon after? What does he say about the young Venetian who has just arrived? What gifts has the Venetian brought with him?
Answer the following question.
Golu’s relatives did not answer his questions because
Mention the year when the cricket rules were written for the first time
How does a tree prove to be beneficial during Summers?
Your partner and you may now be able to answer the question.
The speaker in this poem is a school-going child. Every day he happens to meet the hawker selling bangles, the gardener digging away at the garden, and the watchman walking the street all night.
When Lorenzo says, 'Fair ladies, you drop manna in the way/of starved people.' he means that Portia and Nerissa have ______.
