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Topics and Syllabus - ICSE Hindustani Music Class 10 CISCE (Council for the Indian School Certificate Examinations)

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Topics with syllabus and resources

1 Hindustani Vocal Music

1. Elementary knowledge of the following: Sangeet; two main systems of Indian Music; Nad, Shruti, Sthan, Swara, Shuddha and Vikrit swars; Saptak; That or Mela; Varna; Alankara; Raga, Janak That, Janya Ragas and Ashraya raga; Jati (Odava, Shadava, Sampoorna); Vadi, Samvadi, Anuvadi, Vivadi swaras; Varjya swara; Graha, Ansha, Nyas swaras; Vakra swaras; Pakar; Poorvang; Uttarang;

Poorva Raga, Uttara Raga; relation between Vadi swara and the time of singing ragas; Swaramalika, Lakshangeet, Khyal, Dhrupad, Sthayi, Antara, Sanchari, Abhog; Tan, Alap; Laya (Vilambit, Madhya, Drut); Matra, Vibhag, Tala, Avartan, Sam, Tali, Khali, Theka; Thah (Barabari or Ekgun), Devigun (Dugun), Chaugun.

2. Description of the eight ragas mentioned under ‘practical’ – their That, Swaras, Aroha-Avaroha, Pakar, Jati, Vadi-Samvadi, time and simple Swara-Vistara (alap).

3. Description of the five talas mentioned under ‘practical’; writing them in Thah and Dugun in Tala notation.

4. Knowledge of musical notation system (swara and Tala-lipi); writing easy Khyal songs (only Sthayi and Antara) in musical notation.

5. Identification of ragas with the help of given short swara-vistara.

2 Dustani Instrumental Music (Excluding Tabla)

1. Elementary knowledge of the following: Sangeet; two main systems of Indian Music; Nad, Shruti, Sthan, Swara, Shuddha and Vikrit swars; Saptak; That or Mela; Varna; Alankara; Raga, Janak That, Janya Ragas and Ashraya raga; Jati (Odava, Shadava, Sampoorna); Vadi, Samvadi, Anuvadi, Vivadi swaras; Chal and Achal swaras; Chal and Achal That; Varjya swara; Graha, Ansha, Nyas swaras; Vakra swaras; Pakar; Poorvang; Uttarang; Poorva Raga, Uttara Raga; relation between Vadi swara and the time of playing ragas; Vilambit Gat, Madhya Laya Gat and Drut Gat (Maseetkhani and Razakhani Gats); Laya, Matra, Vibhag, Tala, Sam, Tali, Khali, Theka; Thah (Barabari), Dugun, Chaugun; Avartan, Layakari.

2. Description of the eight ragas mentioned under ‘practical’ – their That, Swaras, Aroha-Avaroha, Pakar, Jati, Vadi-Samvadi, time and simple Swara-Vistara (alap).

3. Writing in Tala-notation, in Thah and Dugun, the five Talas mentioned under ‘practical’.

4. Writing Sthayi and Antara of simple Gats in musical notation.

5. Identification of ragas with the help of given short swara-vistara.

6. Names of different parts (components) of the instrument with the help of its simple sketch

3 Hindustani Instrumental Music (Percussion, like Tabla)

. Elementary knowledge and explanation of the following: Laya (Vilambit, Madhya and Drut), Layakari – 2 matras in one matra (Dugun), 3 in 1 (Tigun), 4 in 1 (Chaugun) etc.; Matra, Tala, Vibhag; Sam; Tali, Khali, Avartan, Thah (Barabari or Ekgun), Dugun; Chaugun, Theka (Bol), Kayada, Palta, Tihai, Mohra, Mukhara, Tukra, Kismen (varieties of Theka).

2. Names of different parts (components) of Tabla and Bayan, with simple sketch or drawing of the instrument.

3. Writing in Tala-notation of the six Talas mentioned under ‘practical’; with their simple development; writing of Thekas in Thah, Dugun and Chaugun layakaris.

4. Elementary knowledge of: Sangeet, Nad, Shruti, Swara, Saptak, Shudha and Vikrit swaras, Achal Swara.

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